When NBA on Prime wanted a new way to celebrate standout performances, the result was something players definitely wouldn’t miss: the Playmaker Chain.
The fabrication teams at SCPS Unlimited designed and built two practical Star Wars vehicles for production designer Andrew Jones.
See how we brought Pringleleo to life as a fully realized, on-camera character designed for broadcast performance.
At Dreamforce 2025, AI wasn’t just explained, it spoke. We brought Agentforce Voice Builder to life through an immersive, voice-driven live activation that let attendees create and interact with AI agents in real time.
For the Celebration Bowl, we created a 5G-enabled ceremonial mace, merging creative technology with live performance and immersive content.
LinkedIn asked us to bring the “Purple Squirrel” to life, not metaphorically, but literally.
When SanDisk wanted to launch its new Creator Series SSDs, they turned to SCPS Unlimited to make a bold statement.
The Red Bull Energy Meter was a one-of-a-kind installation featuring 2,626 LEDs at Evo 2025.
Created to foreshadow a future pairing with their Watsonx Ai, we designed and fabricated smart table tennis paddles that were used in IBM’s “Calling the Shots” activation at SXSW. Our creative technologists developed custom software and hardware to calculate serve speed, distinguish between forehand vs. backhand hits, and general ball trajectory. We also created animations that represented a participant’s “real time game play”, as well as a post-game dashboard that kept track of stats from each game participants played.
Featured in a Fan Duel Super Bowl commercial, we built several of the Alexa like props with different functionalities and in a variety of sizes.
We fabricated the mechanical set & chain-reaction systems for AllModern’s Rube Goldberg-inspired commercial, from drawings into a full build.
Custom 3D-printed automotive prop designed for Nissan’s Super Bowl campaign, engineered to safely transport game-day snacks inside the 2026 Rogue.
SCPS Unlimited created performance-ready costume components for Avengers: Infinity War, including Falcon, Thor, and Black Widow.
SCPS Unlimited fabricated costume elements for Marvel Studios’ Avengers: Endgame, including Black Widow’s Widow’s Bite gauntlets, Falcon’s goggles, and more.
Our team fabricated the high-performance spacesuits for The Orville using on-set 3D scanning, digital costume engineering, and advanced 3D printing to create durable, camera-ready sci-fi suits.
Our team designed and fabricated the comic-inspired spacesuits for Marvel Studios’ Guardians of the Galaxy Vol. 3, combining bold visual design with advanced costume engineering and on-set functionality.
Our principal was involved in build supervision and integration of custom puppets within a large-scale film production.
Learn how Tide used immersive tech, brand activation and experiential fabrication to turn NFL Fans to cold water.
SCPS Unlimited fabricated custom costumes and 3D printed armor for Marvel Studios’ Shang-Chi and the Legend of the Ten Rings, including Razor Fist and the Ten Rings army.
Learn how we executed costume designer Lindy Hemming’s vision for Catwoman to purrfection.
Biodegradable glitter is a thing. And we used lots of it for a project at Burberry’s Rodeo Drive boutique.
We brought Target & Ben & Jerry’s Bullseye University to life with a custom Rube Goldberg machine using 3D printing , metal fabrication & creative technology.
SCPS Unlimited engineered and fabricated a large-scale suspended petal installation for Flower by Kenzo, supporting luxury brand campaigns and commercial productions with scenic fabrication services.
SCPS Unlimited fabricated custom character props for the COWZ commercial project, supporting film and advertising productions with specialty prop fabrication services.
We designed and fabricated the Carbon Vision Mirror, combining creative technology fabrication, electronics integration, and interactive prototype development.
SCPS Unlimited provided custom mask fabrication and costume elements for Birds of Prey, including Huntress goggles and the redesigned Black Mask for film production.
With a combination of rental placement and prop building we recreated the interior of a Navy submarine.
The Countdown To Win A Mustang, interactive experience was created with tracks that dynamically intertwined inside and around an actual Ford Mustang.
This custom prop made for Whatsapp was created by SCPS Unlimited for the release of WhatsApp mnemonic.
Our collaboration with Tool and 72andSunny for Disney•PIXAR’s Cars 3 and Target is a great example of our well-orchestrated machine in action.
Faithful to the design of an actual rosary, the large scale concert prop we created for country singer Jelly Roll consisted of a three foot tall golden cross and fifty-nine marble finished beads that housed individual, programmable lightning systems
For Celine’s rebrand, we created installations featuring sculptures made from edge to edge LED screens running custom developed software that allowed seamless mapping of any animation to be played.
Debuting at the League of Legends “Arcane” Finale Event in Los Angeles, “Jayce’s Mission” was an interactive experience that showcased both our fabrication and creative tech skills.
We helped remind Sam Adams drinkers when it was time to switch it up.
Konami Gaming Inc., a global leader in casino gaming systems sought our services to help create the prototype for the Concerto slot machine designed by Stuart Karten Design
Working with Emmy winning costume designer Carlos Rosario, we created the spacesuit for Rain Carradine in Alien: Romulus.
A marvel of motion, this robot has articulation doors that open up his chest so that the hero product can come spiraling out in a beautiful, repeatable and fluid motion.
We were entrusted by YSL to make an experience featuring seven, limited-edition Plywood Sculptures created by Charles Eames that was immersive, tactile, and unforgettable. Featuring a 10′ x 12′ LED video wall that looped Eames’ film “Blacktop”, we built a temporary installation within the Rive Droite Rodeo store location for the display pieces as well as the related photos and drawings.
SCPS Unlimited designed and fabricated a custom LED helmet for The Weeknd and Calvin Harris’ Over Now music video using 3D printing, electronics, and custom prop fabrication.
SCPS Unlimited designed and fabricated a custom radio-controlled robot for a national Totino’s Pizza commercial, from concept sketches to on-set operation.
SCPS Unlimited designed and fabricated custom robot costumes for Thrivent commercials using 3D printing, CNC machining, laser cutting, and wearable prop fabrication.
SCPS Unlimited designed and fabricated custom space props, spacesuits, and mission control set pieces for Kia’s imaginative “Where Do Babies Come From?” commercial campaign.
The Mandalorian: Chapter 22
When the Mandalorian and Bo Katan arrived on Plazir-15 they were shuttled to
the capital inside of a hyperloop pod realized by our design and fabrication teams. The
pod was built on a steel chassis, allowing it to be moved on set to simulate the high
speeds of a real-world [PH1] transport. Our team built out the central portion of the pod
which the characters sat in.
The Mandalorian: Chapter 19
Our team worked with designs and models created by The Mandalorian art department to finalize the fabrication of the top portion of the Coruscant air taxi, including the full interior and rear thruster system.
Obi-Wan KenobiOur costuming team worked alongside Obi-Wan Kenobi concept artists and the costume design department to finalize design, and fabricate the armor and headpiece seen worn by the Fourth Sister Inquisitor.
Built for a live Call of Duty: Warzone Esports event, our in-house creative technologists made custom gaming chairs that responded to gameplay in real time. In addition to scent emitters and heated rumble seats, fog machines fired up during explosions and fake blood squirted out for kills. An onboard mini-fridge was also added to store the mini bottles of Fireball Whisky players drank before engaging in the live streamed competition.
Pre-visualization was the key to successfully producing this E-TRADE commercial. The two environments were first created digitally which allowed us to determine the best camera path for a seamless transition from one to the other. Using a combination of CNC machining, large scale printing and hand painting, we pre-staged everything in our studio to ensure that everything lined up perfectly.
The Last Ship
We created several visual effects elements to represent a deadly virus. Using a variety of materials, chemicals, and techniques, we performed numerous tests to ensure that the seemingly real visuals worked in camera. The most realistic looking ones were then re-created on the show’s set and filmed for the trailer.
This gigantic Carl’s Jr. spectacle was used in a national spot in which bystanders were assaulted with burgers. After rendering the 12-foot-tall mega-sandwich in 3D and fabricating it, we engineered a large platform turntable strong enough to support the XXXL burger on top of a semi-truck. The pneumatic-powered, recoiling, turret-mounted launcher on the “Burger Assault Vehicle” shot foam burgers up to 300 feet.
This miniature bakery was packed full of moving parts. Our initial digital design and layout included the exterior as well as the interior with its working conveyor belts, colored lighting, and powdered sugar station. In addition to the fine detail work, some of which was built by hand by our skilled artisans, we fabricated the life-size set surrounding the bakery and even shot the commercials on location in our studio space.
Pantene supplied amazing Festival Hair to the masses at Coachella, offering hair stations where customers could apply glitter and receive hair braiding from the Pantene experts. The posh environment included custom-built beauty bars, furnishings, décor, tech, lighting and projection mapping over a 3D version of Pantene’s familiar logo.
VALORANT : Riot Games
Present at the center of each of Riot Games’ VALORANT Champions Tour events was the On The Low Taco Truck we designed and brought into reality, inspired by upcoming in-game content. Taking a typical LA food truck and completely gutting and transforming the vehicle from the inside out, we were able to add a massive speaker wall, DJ booth, reactive LED lighting, external graphics, and 3D assets based on the game environment, as well as a functioning surveillance camera system and large streaming monitors.
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Partnering with Lexus and Razer, we reimagined the all-new TX as an immersive gaming experience with fully realized gaming battle stations. The design featured custom responsive lighting elements, seat and ceiling mounted gaming stations, and a custom rear console powering the entire vehicle’s gaming experience. Our in-house team handled everything from concept design to electronics, as well as content capture and the production of a 3-part webisode series.
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GEICO needed a star character for its new broadcast spot highlighting the frustration of robot tests. With our streamlined design, fabrication, and pre-visualization techniques, we were able to deliver a realistic, fully-articulated, six-foot robot in just a few weeks. The character’s true personality came to life through its movements and gestures, all of which were generated by our talented, in-house puppeteers. The components of the robot were also built in modular fashion to allow different configurations to be swapped out.
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Ahsoka
Along with the interior of the cockpit, our team also fabricated the exterior section of the ship that C1-10P “Chopper” sits in, including smaller details such as his drawers of parts. While we did not bring Chopper himself to life, we helped give him a home aboard the Phantom II.
IMAGES COURTESY OF LUCASFILM LTD. LLC
Ahsoka © & ™ 2023. Lucasfilm Ltd. LLC.
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Call of Duty
The makers of Call of Duty needed key video game elements created for the action-packed, commercial trailers for Call of Duty: Infinite Warfare and Call of Duty: Advanced Warfare. Using game assets, we produced pre-visualization renders and detailed samples for the client throughout the entire process ensuring a seamless and successful mission from start to finish. Our team ultimately created 2 full-scale high-detail vehicles to be featured.
Met Gala 2023
We helped honor Choupette, the cat of designer Karl Lagerfeld, at the 2023 Met Gala in a big way. Beginning with sketching and digital sculpting, we created a life size walkabout that was the very essence of the familiar feline including its striking blue eyes. The highly flexible costume included an interior cooling system with battery powered fans that continuously pumped air and breakaway seam lines for easy removal.
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Working alongside the film’s costume designer, our specialty costuming team had a large role in creating the environment suit worn by fan favorite, Gurney Halleck in Dune: Part Two. Built from scrapped suits and spare parts, we transformed detailed concept artwork into a true to story character in and of itself.
To promote Uber’s new Spotlight feature, we helped to produce a vibrant, interactive art installation which depicted a collection of glowing towers of pulsating, multicolored lights. From the center of the scattered scene of illuminated towers, an intense beam of colored light sliced into the night sky. This brilliant spectacle appeared in Miami with the city’s dazzling nightscape set as the backdrop and was also used in Uber’s Spotlight Internet commercial.
Dreamforce
Salesforce asked us to help their employees utilize new software to elevate their businesses and careers. Inspired by string art creations, participants first enter their Automation and Integration needs into a touchscreen kiosk, which triggers the creation of a path of light along a large peg board displayed above. Each Trailblazer marks their path using lengths of string resulting in a multicolored tapestry of string and light by the end of the event.
Addressing an industry wide need for camera-ready delivery robots, we built our own. Featuring both front and rear LED lights, our transport bot has a removable two-piece lid for accessing the interior cargo space and batteries, off-road capabilities, and varying suspensions and is fully remote controllability at a long range. Used recently in a Charles Schwab commercial, the robot is available for rental.
Dreamforce 2023
To help announce Salesforce’s latest innovation at the 2023 Dreamforce event, we created a system with a prompt station remotely connected to three peripheral pen plotters that would help visitors map out their path through Dreamforce based on the things they wanted to learn about. Our creative technologists custom built the software package to mimic Salesforce AI, while our fabrication design team created a custom input system to allow hands-on interaction.
In collaboration with the creatives at Anomaly, we created a smart device that related European football terminology to American football fans for Jimmy John’s. Much like an Alexa device, it was programmed to listen, think, and speak the soccer-to-football translations using sound bites recorded by famed American football coach and commentator Jimmy Johnson. Not only that, but we also produced the one-minute commercial in our studio space and three other promo videos.
Call of Duty : Advanced Warfare
Alongside the full-sized Jackal cockpit, we designed and built modular hoverbike components and filming rigs. We modified an actual motorcycle for the rider POV shots then used those same modifications on a blue screen bike for the shots of the hoverbike traveling through the game’s landscape. 3D modeling manipulation of the game assets helped us design the fabricated components and allowed both the physical and digital assets to be combined in post production.
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Lady Gaga’s production designer asked us to collaborate on a variety of props for the musician’s “Fame” perfume launch including a 60-foot lifelike sculpture of her body. Starting with a 3D scan of the singer we coordinated with a specialized foam manufacturing company, who made foam to our specs 24 hours a day for a week. For the sculptural pieces, we utilized five-axis CNC machines working around the clock to get the job done.
In an effort to translate the humor and friendship that is at the core of Bud Light, we worked with Wieden + Kennedy to develop the Bud Knight character. The full suits of custom armor created were used in countless marketing campaigns. Durable. Comfortable. And highly recognizable, the Bud Knight character was featured in broadcast spots, activations, and social posts for years.
Intel partnered with four of YouTube’s biggest tech influencers to help launch a new processor and brought us on board to design and fabricate uniquely customized PC stations for each of them. We began by secretly gathering intel about them – their background, their likes, what they do etc. Our in-house technicians then built and engineered each station utilizing laser cutting, CNC machining, 3D printing, custom electronics and LED programming.
San Diego Comic Con
To help celebrate the 80th anniversary of Batman’s creation, we were brought on by DC and AT&T to create Rogues Gallery Rumble for Comic-Con, an immersive experience that had fans fighting against the Joker and the Riddler, complete with sound effects and huge graphic text. We custom programmed software to integrate with a series of accelerometers, projection mapping and sound systems, displaying the coordinated graphics and simultaneous sound effects every time the rigged punching bag was whacked.
D23 Expo, Disney California Adventure Park
Working with Disney-Pixar and Mattel, we created a replica of Radiator Springs from Cars for Disney’s D23 Expo. Our digital artists dissected the film assets from Disney and visited California Adventure to complete the final look. After the design phase, we 3D printed the parts, and programmed the lights to come on in the same sequence in the first Cars movie when the townsfolk spruced up Main Street. The finished project is on permanent display at Sarge’s.
POD Save America often tours the nation and performs their podcasts on stage in front of live audiences. We were hired by the show’s production designer to engineer and produce the large-scale set elements featured on stage including a 13-foot-tall bust of George Washington donning earbuds and several dilapidated columns that appeared to be poorly supported by duct tape.
When asked by Bang3 to collaborate with Ronnie Fieg, the King of Streetwear and KITH owner, we were stoked. We helped the design firm visualize, fabricate, and install a pop-up store that featured two futuristic, high-tech “waves.” The barrel of the waves housed the merchandise enthroned before sheets of reflective panels while our integrated lighting display illuminated a multitude of graphic arrangements from the floor to ceiling.
Content marketing agency Kamp Grizzly tapped us as a creative partner for the Adidas POD-S3.1 brand project. To facilitate a “gathering of all creators”, a 20-seat table was fashioned. Our creative tech department then produced projection mapped animations that transformed the flat tabletop into a seemingly 3D spectacle, immersing the guests into a world of dynamic shapes and imagery.
The Hotel Del Coronado
Wicked+ contacted us to help develop an immersive experience that showcased the exciting new Shore House real estate development. Our digital team pored over 130 years of the hotel’s architectural records to create digital assets needed for 3D printing, laser cutting and CNC machining the thousands of detailed pieces needed to construct the model that would live in the center of the space. In addition, we developed software for an interactive system that maintained a seamless connection between the model and the Shore House website.
Alongside TOOL of North America, we helped capture memorable tales of New Orleans by fabricating two state-of-the-art interactive story booths. The booths boasted multiple projectors and cameras hidden behind a two-way mirrored wall inside the air-conditioned interior. The intimate experience allowed users to enter the space and share their own story. While the stories were being told, AI picked up on key words and projected images onto the back wall of the booths, while a second projector displayed additional imagery onto the storytellers.
Conceived in conjunction with NASA and Victory Hill Exhibitions, the exhibit shows the science behind all of the favorite characters in the Marvel Cinematic Universe. Created to be very hands-on and interactive, the elements were made to hold up to a lot of abuse. Each component was also designed to be quickly and easily repaired on site, reducing any potential down time.
We were brought on board to take Lyft’s brilliant marketing idea and bring it to life for the Life is Beautiful Festival. Our expansive team of designers, engineers, software developers and fabricators came together to deliver an impressive 9-foot light sculpture that was completely wrapped in 65,000 mappable LED’s, capable of playing 360 degrees of continuous content 24 hours a day.
CES Expo 2018
To illustrate Intel and Mobileye’s sensory technology, we produced two stunning, interactive installations artfully resembling full-sized vehicles constructed of clear acrylic slices. Our digital wizards 3D modeled the vehicles and engineered the overall structure, including support systems, housing for the tech and electrical components all prior to fabrication. Interactive control systems powered the lighting displays throughout the structures giving a sense of mobility to the static vehicles.
D23 Expo
The team from Deutsch LA enlisted us to showcase Target’s exclusive line of Star Wars merchandise at D23. We designed a modular, geometric space structure, clad in transparent panels covered in a starry galaxy treatment. We also constructed the command podium that featured a 100-inch monitor that appeared to float in space. Our design allowed us to pre-assemble the structure in our studio, carefully transport all pieces, and finally install it on location.
To help celebrate the El Clásico Miami Soccer Tournament, our in-house crews worked around the clock to weld, laser cut, fabricate, wire, and program a stunning LED sculpture for SET Creative. Built with a mirrored platform that reflected the lights from above, the LEDs were programmable, giving the option to change the color of the soccer player’s uniform and shoes to match each team during signing events.
Eternals World Premier
We were petitioned to design and wrap 10 character-inspired Lexus concept vehicles, for the Los Angeles premiere of Marvel Studios’ Eternals. For each vehicle, we found the right balance between character traits and costume details to design into the custom multi layered wrap for an assortment of different Lexus vehicles. Each vehicle also had programmed golden LED lighting in the grilles and underbodies, representing the shared energy force utilized by the Eternals.
After the maiden voyage of XQ’s Super School Bus, the non-profit educational experience super bus needed some upgrades. Our creative technologists and fabricators refreshed the interior and revamped the bus with a custom programmed display panel wall for users to be able to explore informational content, as well as an interface to allow the client to change content on the fly.
In this experiential and broadcast campaign for Nissan, we were brought on board to bring their Intelligent Safety Shield Technologies to life. In the span of six days, we installed, and operated on set, including building a steel structure safely engineered to withstand the weight and movement of the showcased vehicle. The underlit structure also featured programmable lighting systems triggered by the participant’s movements and highlighted the vehicle’s multiple safety features using an edge-lit acrylic effect.
Team One and Lexus gave us the opportunity to create an exhilarating 4D VR experience that connected users to the feeling of being behind the wheel of a race car. The custom fabricated simulator consisted of a race car seat connected to the base by multiple axis points. Based on accelerations and braking observed through the VR goggles, servo motors mimicked the same movement and gave the passenger a synchronized experience complete with blasts of warm air and the smell of burning rubber.
For Volvo’s experiential and broadcast campaign marketing the XC90 T8 Hybrid Electric, we created a peristaltic system consisting of a “driving mat” placed atop a series of water filled tubing connected to a device capable of capturing the hydraulic energy from passing cars and transferring it to electrical energy. We produced the entire system to be modular for ease in transportation, setup, and strike.
We created a slew of elements for the game, including ammo pouches, hero firearms for main characters, a stylized “buzz” axe, grenades that turn into firing turrets, rocket launcher, shotguns, assault weapons and more.
Black Adam
Warner Bros. asked us to construct a sci-fi-looking gurney sturdy enough to support Dwayne “The Rock” Johnson for Black Adam. In addition to the cantilevered design needing to be stable and strong, the device also had to be functional, so our designers and engineers worked with our welding department to create an adjustable bed with steerable casters.
Arrested Development
Since 2005, we’ve assisted the art department for Arrested Development in their creation of wacky props. Most notably, the many incarnations of Buster’s hand. His first artificial appendage was a hook we designed, followed by an oversized bionic hand in season 4. In season 5, his unsheathed, metal, robotic hand was our most technically involved to date. The animatronic hand Buster wore was remotely puppeteered by a secondary glove, which fit with sensors that allowed the robotic hand to mimic the action of the actor wearing the control glove.
KFC launched a marketing campaign to celebrate their joyous union with Mrs. Butterworth’s and asked us to be a part of it. To recreate a pair of giant Mrs. Butterworth’s bottles and bring them to life, our digital chefs cooked up designs for the 6-foot-tall amber lady and engineered them for puppetry and rigging. Two versions crafted were from lightweight vacuum formed materials including the iconic posed bottle form and a second complete with articulating arms built to be puppeteered by our team.
Spider-Man Homecoming
The stolen tech modified by Tinkerer in Spider-Man Homecoming called for a retrofit of the gauntlets we had previously designed for Crossbones in Captain America: Civil War. We worked with the director and costume department to redesign the new gauntlets and produce several sets including a soft stunt set for the fight scenes. We also engineered the hero gauntlet with remote controlled lighting for some amazing effects.
The larger than life Samuel L. Jackson mascot head we produced was featured in a Capital One commercial called “Chuck U”, that aired prior to the NCAA men’s March Madness tournament.
We recreated the well-known crash test dummy Buster, from the television series MythBusters to take part in an epic food fight showing off the cleaning power of Tide. Digitally sculpted and 3D printed in-house, we made sure he was light and poseable for his on-camera scenes, while maintaining his iconic appearance
THE BOOK OF BOBA FETT – Chapter 5 Din Djarin (the Mandalorian) made his debut in The Book of Boba Fett with a dramatic entrance cutting through a meat-packing facility complete with 15 life-sized hanging creature carcasses. The carcasses were created by our set decoration team based on designs provided by the production.
American Airlines had just redesigned their first-class seats and asked us to create high-quality replicas, with fully functional movements and integrated computers for an upcoming TV commercial shoot. Designed on a carpeted, demo-ready platform, the seats were then inserted into our full-size custom-fabricated modular fuselage set. The project was featured at CES as well as print and experiential ads.
Westworld
We worked with the creators and designers of HBO’s Westworld to generate a comprehensive and realistic design for a futuristic interactive map system. Our creative technologists developed custom projection mapping software to be used on a 3D surface with contrasting depths, along with motion detection sensors that triggered complex animations. The revolving base motor was programmed to support the physical map’s rotation, precisely synchronizing to the projector’s rotation.
Call of Duty : Infinite Warfare
The makers of Call of Duty needed key video game elements created for the action-packed, commercial trailer for Call of Duty: Infinite Warfare. Using game assets, we produced pre-visualization renders and detailed samples for the client throughout the entire process ensuring a seamless and successful mission from start to finish. The cockpit components were custom machined, constructed and assembled in-house before we painted the vehicle to camera-ready perfection.
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Working together with creatives from Tool of North America to launch Lexus’ new sports car, the “LIT” IS showcases our synchronized workflow of the mapping, physical application, and digital programming of 41,999 LEDs. The result was an adaptable system projecting amazing lighting effects that was reactive to both music and gesture. The vehicle went on to be featured at countless events, and in Dua Lipa’s Be the One music video.
The Mandalorian: Chapters 17 & 21
In the third season of The Mandalorian, viewers were introduced to pirate king Gorian Shard and his menacing Cumulus Class Corsair ship armed with 14 gunwale turrets including our fabricated “hero” turret.
IMAGES COURTESY OF LUCASFILM LTD. LLC
The Mandalorian © & ™ 2019-2023. Lucasfilm Ltd. LLC.
The Mandalorian : Chapter 20
During the Order 66 flashback in “Chapter 20: The Foundling,” we see Grogu being rescued by a Jedi Master on the BARC speeder that our team fabricated from original design concepts and preliminary models provided by The Mandalorian team. Our team redesigned the models for fabrication and built the full chassis and speeder.
IMAGES COURTESY OF LUCASFILM LTD. LLC
The Mandalorian © & ™ 2019-2023. Lucasfilm Ltd. LLC.
In the Apple TV+ movie Finch, Tom Hanks’ character lives in a post-apocalyptic world prone to savage winds. We were tasked to create a costume that could withstand shooting these violent storm scenes. In the end, not only did our design do an amazing job at keeping dirt away from Tom’s face, the pumped in filtered air made it easy for him to breathe which was credited to contributing to the overall smoothness of the production.
Call of Duty : Advanced Warfare
When the makers of Call of Duty Advanced Warfare wanted some key game elements from the game brought to life, we jumped at the chance. Using the full scope of our in-house capabilities including 3D modeling, 3D printing, laser cutting, CNC machining, custom fabrication, and graphic design, we worked with game assets to create six total suits. Resembling robotic armatures, running down the actor’s back onto their legs and arms, each were designed with different paint schemes and configurations.
Captain America: The Winter Soldier
Marvel needed a sleek, distinctive mask for Captain America: The Winter Soldier. Made with a variety of After an expansive R&D materials and textures, the “soft” mask is internally shaped to retain the actor’s facial structure, regardless of any movement underneath. This made it comfortable and pliable but also consistent in appearance. We conducted an expansive R&D phase to ensure the actor could speak easily and be heard clearly from beneath the mask.
The Suicide Squad
Our team gave the character defining touches to the costumes of Peacemaker and Polka-Dot Man in The Suicide Squad. Featuring a custom-fit chrome helmet for the violent vigilante and leather-trimmed goggles and iconic advanced tech gauntlets for the metahuman criminal, the ensemble is both aesthetic and functional. The camera-ready gauntlets even had fully functional mechanical openings and integrated effects to enhance the impact for the crew on set and the audiences beyond the screen.
AHSOKA
Our costuming team worked with the Ahsoka art department and costume design department to finalize and fabricate the full set of armor worn by the mysterious mercenary Marrok.
Spider-Man : Homecoming
To enhance the winged villain’s terrifying presence we reverse engineered an enhanced soldier exo-suit and rebuilt the pieces into a unique flight suit for Michael Keaton’s character, Vulture. Fabricated over an undergarment with attachment points for quick and easy changes, Vulture’s new costume was equipped with posable talons and a high-tech helmet with glowing green eyes. Thanks to our creative designers and fabricators, the actor could still see from behind the lights and comfortably perform his role.
The Falcon and Winter Soldier
Our work with the Falcon costume followed a history of detailed masks and integrated hard costuming components with Marvel Studios’ projects. In addition to Anthony Mackie’s custom-fit goggles, which we fabricated through digital design, 3D printing, mold and casting, and detailed paint, we developed innovative solutions to ensure our custom fabricated rigid armor components of his costume stayed attached to its softer fabric.
Captain America : Civil War
In yet another Marvel collaboration, we were asked to construct the costume for super villain, Crossbones. We created a modular system of interchangeable parts that could be inserted or removed allowing the VFX department to comp together different configurations to achieve the desired visual effect. In addition to the highly detailed rigid costume, we created in parallel, equally detailed soft pieces suited for stunt scenes.
It was our privilege to again collaborate with director Christopher Nolan (Dark Knight Rises) on his blockbuster space epic Interstellar. For this film, we were asked to create a number of significant costume elements and props. The most prominent were spacesuit helmets for the primary characters, including those played by Matthew McConaughey and Anne Hathaway. As always, the elements required significant research and development.
Obi-Wan KenobiOur costuming team worked alongside the Obi-Wan Kenobi art department, costume design department and prosthetics team to bring the Darth Vader bio vest from design to reality using body scans to ensure a
perfect fit.
Lexus’ “All In” 2021 IS ad campaign saw the creation of the Gamers’ IS. SCPS provided multiple concepts as well as end-to-end design fabrication, and install of the interior, exterior and custom controller for the car. The crowd favorite “Neon Tokyo” theme required the integration of custom RGB lights, drink cooler, and a full gaming rig. The vehicle has gone on to be featured in a variety of trade shows, live events, and the 100 Thieves YouTube channel.
SCPS Unlimited designed and fabricated an interactive brand activation for Planters, combining custom fabrication, electronics, and experiential technology to engage shoppers in a nationwide campaign.
We designed and fabricated a realistic interactive beating heart prop for an Old Spice commercial in just 48 hours, featuring wireless controls and custom mechanical effects.
We designed and fabricated 65 highly detailed 3D printed architectural models of the X-Mansion for 20th Century Fox’s Dark Phoenix promotional campaign.